Slim
waist is eternal standard of feminine beauty
PARIS
- Feminine beauty has been celebrated across the
ages, but an enduring belief is this: what constitutes
attractiveness in a woman cannot be pinned down - it depends on
the prevailing fashion, culture or ethnicity and on the eye of
the beholder.
For
instance, in Victorian England, a tiny, puckered mouth was the
zenith of pulchritude.
Today,
the rosebud look has been replaced by what has been called the
trout look, as women in Western cultures strive to make their
mouths look as wide and full-lipped as possible.
In
many societies, the focus of secondary erogenous zones has
roamed over ankles, necks and knees and makeup and hairstyles
change according to the mode.
The
desired female morphology has shifted too, driven in part by
prosperity and the social advancement of women. In the 1950s,
Marilyn Monroe was the template of feminine beauty; today, she
would be encouraged to sign up at Weightwatchers.
So
it would seem that the “beauty standard” does not exist -
that there is no eternal benchmark, only a chaotically whizzing
merry-go-round.
Not
so for evolutionary psychologists.
For
them, fashion is a fluffy cover for a force that is deeper,
remorseless and unchanging, as old and enduring as our genes:
the Darwinian drive of survival and genetic fitness.
In
an innovative test of these rival hypotheses, scientists at the
University of Texas at Austin and at Harvard University trawled
through three centuries of English-language literature and
through three Asian literary classics dating back nearly two
thousand years.
Their
goal: Which parts of the woman’s body were praised as
beautiful by writers across the ages?
Their
sources were a website, Literature Online, for English
literature from the 16th, 17th and 18th century; Chinese sixth
dynasty palace poetry (from the fourth to the sixth century AD)
and two ancient Indian epics, the Mahabharata and the Ramayana,
from the first to third century AD.
Breasts,
buttocks and thighs - the primary erogenous zones - predictably
featured large in these descriptions.
But
a slim waist trumped them all.
In
English literature, a glowing description of a narrow waist (a
waist “as little as a wand”, “beholden to her lovely
waist” and so on) showed up 65 times.
That
compared to 16 references for romantic description of breasts,
12 for thighs and a mere two apiece for hips and buttocks.
Before
anyone cries fattism, the literature was studded with romantic
tributes to plumpness but relatively few to slimness.
But
what counted, plump woman or slim, was the relativeness
narrowness of the waist. There was not a single evocation of
beauty, which said the object of veneration had a bulging tummy.
In
the Asian works, the slim waist was even more adored, although
there was no flattering reference to plump beauty.
Narrow
waistedness scored a massive 35 references in the two Indian
epics, while the other body parts garnered a total of 26. In the
Chinese poetry, the narrow waist was evoked 17 times, while
breasts, buttocks, hips and thighs got zero, and there was a
solitary romantic reference to a woman’s legs.
The
study, which appears in Proceedings of the Royal Society B, a
British journal, says these references show that a slim waist is
an object of desire that spans time and cultures.
Why
so?
The
answer, suggest the authors, is that a narrow waist is a sign of
strong health and fertility. Men instinctively assess a
woman’s waist for its potential for successful reproduction
and thus furthering their own genes.
Modern
research has established a link between abdominal obesity and
decreased oestrogen, reduced fecundity and increased risk of
major diseases.
But
“even without the benefit of modern medical knowledge, both
British and Asian writers intuited the biological link between
health and beauty,” say authors, Devendra Singh, Peter Renn
and Adrian Singh.
“In
spite of variation in the description of beauty, the marker of
health and fertility - a small waist -- has always been an
invariant symbol of feminine beauty.”
AFP
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